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Ivo Perelman + Dominic Duval
Ivo Perlman is best known for performing in a heavily distorted, abstract-expressionist vein first tapped in the 1960s by the late Albert Ayler. His first album, Ivo (K2B2, 1989), featured an all-star cast that included drummer Peter Erskine, bassist John Patitucci, percussionist Airto, and vocalist Flora Purim, among others. As his career progressed, Perelman recorded often with players of the avant-garde. He's made albums with the bassist Dominic Duval, pianist Borah Bergman, drummers Rashied Ali and Jay Rosen, pianists Marilyn Crispell and Matthew Shipp, and guitarist Joe Morris, to name a few.
Perelman played classical guitar, cello, clarinet, trombone, and piano while growing up in Sao Paulo. At the age of 19 he adopted the tenor saxophone as his primary instrument. After coming to the U.S., he attended the Berklee School of Music in Boston for a semester before dropping out. Perelman is purportedly a mostly self-taught, instinctive player, and it's not hard to imagine the problems he might have had in a regimented music education system. Perelman's travels took him to Los Angeles in 1986, where he studied privately and performed. Not long after the release of his first album in 1989, Perelman relocated to New York and began recording a series of albums on such labels as ITM, Enja, Ibeji, Homestead, CIMP, Cadence, and Leo. Perelman is noted for combining simple Brazilian folk themes with the techniques of free jazz, and in 1997 he did the same thing with Jewish music, making En Adir: Traditional Jewish Songs for the Music & Arts label. Later, Perelman recorded a series of duets with the aforementioned Bergman, Rosen, Morris (with Perelman on cello), and Crispell.
New Yorker Dominic Duval is one of the finest and most prolific bassists on the contemporary scene, having played and recorded with some of the greatest names in jazz and new music. Duval's recent tenure with pianist Cecil Taylor's trio has cemented his reputation as one of free jazz's important figures. Dominic has performed and recorded with such notables as saxophonists Joe McPhee, Ivo Perelman, Glen Spearman, Chris Kelsey, Mark Whitecage, composer Pauline Oliveros, trombonist Steve Swell, among many others. Duval's solo bass CD, Night Bird Inventions, was a Top 10 pick in the Coda Magazine critics poll, and his string ensemble CD, State of the Art, was chosen one of the year's best in the Jazziz Magazine poll. For some of his work, Duval draws upon concepts outside music. Under The Pyramid is a paean to the people of Mexico, and Duval has also expressed through his music his solidarity with Native Americans. Demanding of audiences, intellectually unsettling and emotionally profound, Duval's often unpredictable music is always close to, and at times is beyond, the cutting edge of jazz.
Raoul Björkenheim's guitar playing is often described as a force of nature, the conventional traits usually associated with jazz or rock having given way to a more visceral, expressionistic approach to creating timbre and velocities. Experimenting with various tunings on 6 and 12 string guitars, Raoul makes full use of the subtleties offered by electronics and the deft touch of his fingers, creating startling textures that imitate everything from birds, opera singers or flutes to heavy industrial machines, string orchestras or butterfly wings. Constantly discovering new sonorities on his guitar, he has created a uniquely personal language which speaks to audiences all over the world through his concerts and recordings.
Toshi Makihara studied drums, percussion and improvisation with Sabu Toyozumi, a prominent percussionist in Tokyo. Since arriving in the United States, he has worked with various new music ensembles as well as with numerous dance and theater companies internationally. Makihara has worked with Joel Thome's WORLD SOUND, and provided original music to Arden Theater Company, Diversions Dance Company (Wales), Pennsylvania Ballet, ZeroMoving Dance Company, Merian Soto / Performance Practice, Leah Stein Dance Company and Zornitsa Stoyanova's Here[begin] Dance Company. Over the years, he has worked with musicians including Steve Beresford, Peter Brotzmann, John Butcher, Nels Cline, Eugene Chadbourne, Tom Cora, Amy Denio, Thurston Moore, William Parker and John Zorn. He has also collaborated with poets, visual artists, filmmakers and performance artists widely.
Ars Nova Workshop is a Philadelphia nonprofit jazz and experimental music presenting organization. As a facilitator between artists and their audiences, Ars Nova Workshop works to inform, inspire and challenge listeners in order to elevate the role of jazz, improvisation and experimental music in contemporary culture.